Use this template to rank the films featured in TIFF 2026 by personal anticipation. Place the titles you most want to see at the highest tier, then work downward according to your excitement, curiosity, expectations, or interest in the filmmakers and subjects. There is no single correct order—build a watchlist that reflects your own festival priorities.
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1
A Talent for Murder
Anton Corbijn’s thriller places Helen Mirren behind the complicated persona of Patricia Highsmith. A young literary agent, played by Alden Ehrenreich, travels from New York to Switzerland hoping to secure one last Ripley story. Olivia Cooke completes the principal cast in a literary, character-driven mystery adapted from Joanna Murray-Smith’s play Switzerland.
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2
All About Corinne
Marc Fitoussi’s French comedy follows Corinne Maclou, a veteran film extra who keeps chasing the elusive chance to become a recognized actor. Isabelle Huppert leads a cast that includes Sandrine Kiberlain, Diane Kruger and Emmanuelle Bercot. Its film-within-the-film premise makes it a particularly strong pick for viewers drawn to backstage stories about ambition and industry gatekeeping.
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3
Always Lalisa
Sue Kim’s documentary profiles Lisa, the Thai-born K-pop performer who became a global superstar through BLACKPINK and her solo career. The film is framed as a journey from childhood ambition to international fame, making it a natural contender for viewers ranking music documentaries, celebrity portraits and artist-access projects. Its appeal will depend heavily on how personal and revealing the access becomes.
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4
Arrested Memory
Sabu returns to fast-moving crime comedy with a Taiwanese-set story about a Taipei detective whose investigation leaves him with amnesia. Reassigned to a rural precinct, he must solve the kidnapping of a powerful Japanese businessman’s son by relying on instinct rather than dependable memories. Ethan Juan, Hsieh Ying Xuan and Moon Lee lead this action-comedy hybrid.
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5
Babies
Lauren Miller Rogen writes and directs this comedy-drama about a couple whose assumptions about parenthood are tested when a divorced friend and her toddler move into their home. Anna Kendrick and Seth Rogen lead the ensemble, with Dan Stevens also credited among the stars. The film offers a more domestic, relationship-focused contrast to broad baby-centered comedy.
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6
Bad Lieutenant Tokyo
Takashi Miike brings the Bad Lieutenant series to Tokyo in a standalone crime thriller centered on a gambling-addicted police officer and an FBI agent. Together they investigate the disappearance of a politician’s daughter while a dangerous killer moves through the criminal underworld. Shun Oguri and Lily James headline a Japan-based international production written by Daisuke Tengan.
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7
Bucking Fastard
Werner Herzog directs Kate and Rooney Mara as Jean and Joan Holbrooke, inseparable sisters who speak in unison, share the same romantic fixation and pursue an imaginary land by digging through a mountain range. Orlando Bloom and Domhnall Gleeson co-star. The film’s unusual twin relationship, eccentric premise and Herzog’s interest in extremes make it a distinctive art-house wildcard.
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8
Bunker
Florian Zeller’s psychological thriller follows an architect who accepts a morally ambiguous commission to build a survivalist bunker for a technology billionaire. His wife begins reassessing their seventeen-year marriage as the project exposes uncomfortable questions about privilege, ethics and escape. Javier Bardem and Penélope Cruz lead the central couple, giving the film a major star-driven relationship component.
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9
Club Kid
Jordan Firstman’s feature debut follows a hard-partying New York City club promoter whose life is overturned when his previously unknown 10-year-old son arrives. The film premiered in Cannes’ Un Certain Regard and combines queer millennial nightlife, abrupt parenthood, comedy, and emotional recalibration. It is a strong pick for viewers prioritizing audacious first features with both subcultural energy and accessible dramatic stakes.
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10
Diary of a Mad Old Man
Wayne Wang adapts Jun’ichirō Tanizaki’s novel into a chamber drama about an aging widower whose sudden disability coincides with an unnervingly intimate relationship with his caregiver daughter-in-law. Starring Lily Franky and presented in Japanese and Mandarin, the film stands apart from broader TIFF crowd-pleasers through its confined setting, psychological tension, literary source material, and deliberately uncomfortable examination of desire.
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11
Evil Genius
Courteney Cox’s second feature as director dramatizes the 2003 “pizza bomber” case in Erie, Pennsylvania. David Harbour and Patricia Arquette lead a darkly comic true-crime ensemble built around murder, a bank-heist scheme, drug-addled conspirators, and a hostage forced to wear a bomb. Compared with conventional crime dramas, its appeal lies in the collision of grotesque absurdity, regional detail, and tragic obsession.
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12
Girl Group
Written, directed, and led by Rebel Wilson, Girl Group follows disgraced pop singer Tassie Young after a failed solo career and a DUI-related community-service assignment. She becomes mentor to aspiring young performers who are struggling to find their collective voice. Jennifer Coolidge, Randall Park, Nicole Scherzinger, Judi Love, and Sally Hawkins add ensemble-comedy appeal, while original songs and familiar pop hooks define its upbeat musical identity.
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13
Ink
Danny Boyle’s Ink adapts James Graham’s Tony-winning play about the rise of tabloid journalism and the creation of a new kind of mass-market news. Jack O’Connell plays Larry Lamb, while Guy Pearce portrays Rupert Murdoch and Claire Foy co-stars as Jules Davies. Its mix of media history, ambitious personalities, and Boyle’s kinetic filmmaking makes it a distinct choice for viewers drawn to industry dramas.
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14
Onwards and Sideways
John Madden’s Onwards and Sideways stars Laura Linney and Rhys Ifans as Emma and Tony, strangers diagnosed with Parkinson disease at the same clinic on the same day. Their friendship grows through awareness efforts, employment fears, and a Parkinson ballet class. The film balances degenerative illness with humour and romance, offering a more intimate, relationship-centered alternative to conventional inspirational medical dramas.
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15
Possible Love
Lee Chang-dong’s first film in eight years brings together two married couples from sharply different economic circumstances. A laid-off factory worker and his wife become documentary subjects for an affluent filmmaker and her husband, exposing resentments, shifting loyalties, hidden desires, and ethical questions about nonfiction filmmaking. With Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong, it is a major relationship drama for viewers seeking layered Korean cinema.
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16
River
Joshua Giuliano’s River is a 2026 American horror mystery centered on three siblings stranded in a boat on a rural river and stalked by a faceless killer. Listed at approximately 92 minutes, it offers a compact genre proposition built around isolation, water, family dynamics, and an unidentified threat. Rank it highly if your TIFF priorities favour contained survival horror over star-led prestige dramas.
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17
Tender Loving Care
Mike Leigh’s contemporary social drama belongs near the top for viewers who value layered character work over conventional plot mechanics. Its focus on care, family strain, and institutional pressure makes it a strong comparison point for TIFF selections built around intimate British realism, while the ensemble-driven approach may appeal to fans of Leigh’s humane, sharply observed storytelling.
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18
The Debut
Written and directed by Jesse Eisenberg, The Debut turns a small community-theatre production into a volatile character comedy. Julianne Moore plays Mona Friedman, a housewife whose minor role becomes an obsession with artistic integrity. Rank it highly if you prefer actor-centered films that examine ego, performance, and creative conflict with an offbeat dramatic edge.
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19
The Stunt Driver
Michael Dowse’s The Stunt Driver dramatizes the real-life ambition of Canadian daredevil Ken Carter, whose rocket-powered-car jump became a defining stunt challenge. Its appeal sits between sports biopic, engineering spectacle, and character comedy. Place it above conventional racing films if you value improbable true stories, show-business bravado, and distinctly Canadian underdog energy.
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20
Villeneuve: The Rise of a Legend
This title is best ranked by its subject appeal and cinephile curiosity. It should attract viewers interested in filmmaker profiles, career evolution, and the making of a modern legend, while its placement may depend on how strongly you prefer behind-the-scenes context over fictional storytelling. Use it as a comparison point for auteur-focused festival programming.
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21
Vintage Violence
Vintage Violence combines a road-movie setup with action-comedy momentum in Japan’s Okayama denim region. The story follows an influencer whose attempt to sell vintage jeans draws the attention of the yakuza, giving the film a distinctive collision of fashion culture, criminal pursuit, and travel adventure. Rank it for energetic genre blending rather than solemn period drama.
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22
Whatcha Want
Mina Shum’s Whatcha Want centers on a young Hong Kong immigrant and trophy wife whose husband’s betrayal pushes her back toward dance. That premise places it in the emotionally accessible space between romantic drama, immigrant experience, and self-liberation story. Rank it highly if character renewal and cultural specificity matter more to you than large-scale spectacle.
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23
Wild Horse Nine
Written and directed by Martin McDonagh, Wild Horse Nine sends CIA partners from 1973 Santiago to Easter Island shortly before Chile’s coup. Sam Rockwell, John Malkovich, Steve Buscemi, Tom Waits, and Parker Posey anchor its darkly comic ensemble. Rank it for caustic dialogue, political unease, eccentric characters, and an auteur-led blend of crime, satire, and adventure.
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24
Your Mother Your Mother Your Mother
Bassam Tariq’s Your Mother Your Mother Your Mother follows Latif, a devoutly religious hitman who crosses Houston after his wife’s death to protect his children. Mahershala Ali leads a cast including John Cho and Giancarlo Esposito. Rank it for the tension between action-thriller urgency, fatherhood, faith, and moral collapse rather than pure genre spectacle.
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